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This kind of transactional gifting of songwriting credits was a common practice on Tin Pan Alley. He cranked out thousands of songs, trying his hand at every imaginable genre and sub-genre, while heeding the slightest shifts in the variable winds of public taste. It deserves better. The surest way for Tin Pan Alley song pluggers to turn a new number into a hit was to place it in the act of a prominent variety stage performer, a task usually accomplished by pressure or payola—by arm-twisting, horse-trading, and often enough, straight pay-for-play bribery. They are pointing the soles of their eight shoes towards the camera, with a letter painted on each to spell out—what else?